Based on the novel by Dean R. Koontz, this action packed thriller features Bruce Greenwood as a private detective hired to protect a little boy from a fanatical religious cult that believe he is the antichrist fortold in the book of Revelations.

A young German girl jumps off a Wroclaw church tower. She is a member of a Women's Gregorian Choir.

The fun adventures of the maids who work in a city building, and the entanglements with their employers.

Wonderfully surreal, painfully real, this is the story of children, adults and animals who live together trying to have a better life, but sometimes death comes unexpectedly. The lives of three characters surrounded by a bunch of extraordinary, funny, absurd but quite realistic events. It is all about us, people who eat the animals that they love and the animals that love people unconditionally.

Domestic (as long as it lasts) was made in 2002 in Gordon’s one-bedroom apartment in downtown New York City. It shows the artist’s foot repeatedly kicking the camera around a clean, quiet domestic space until the video blacks out. The victim of the booting, the camera itself, is recording the footage we see. The viewer is disoriented by the film’s upsetting of the conventional relationship between documenting and participating, which makes the camera complicit in the act.

Butterflies die if you move them elsewhere. But artists without a living can’t stay together in their commune in Tbilisi forever.

After a migrating duck family alights on their pond with thrilling tales of far-flung places, the Mallard family embarks on a family road trip, from New England, to New York City, to tropical Jamaica.

One of a four-film series on the AIDS epidemic in India, this film examines the virus as Indian society's great class leveler, following its transmission through interweaving stories that link urban and rural India.

"The idea for Migration came to Viola while he was walking down a street one rainy day in New York. His glasses were covered with raindrops and he saw that each drop was a lens. Everything around him was covered with little hemispherical lenses that contained optical microcosms of the environment. He was surrounded by worlds within worlds . He couldn't see the images in the beads of water on a passing car but he knew they were there. It was a question of scale. He recalled an exhibition of satellite photos that showed first the east coast, then the New York area, then just Manhattan, then just lower Manhattan . What fascinated him was not that one could see buildings from that distance, but that such detail wasn't the result of a zoom or a blowup as we normally understand them. They hadn't used four different telephoto lenses and made four different pictures . It was all one computer-enhanced electronic image, a database. The information in the closeup existed already in the larger-scale".

"The idea for Migration came to Viola while he was walking down a street one rainy day in New York. His glasses were covered with raindrops and he saw that each drop was a lens. Everything around him was covered with little hemispherical lenses that contained optical microcosms of the environment. He was surrounded by worlds within worlds . He couldn't see the images in the beads of water on a passing car but he knew they were there. It was a question of scale. He recalled an exhibition of satellite photos that showed first the east coast, then the New York area, then just Manhattan, then just lower Manhattan . What fascinated him was not that one could see buildings from that distance, but that such detail wasn't the result of a zoom or a blowup as we normally understand them. They hadn't used four different telephoto lenses and made four different pictures . It was all one computer-enhanced electronic image, a database. The information in the closeup existed already in the larger-scale".